Tuesday, April 26, 2011

2011 Summer Program For Young Dancers: Dancers Delight

California DanceArts Announces the Return of Its Versatile and Fun Summer Program

La Canada, CA: California DanceArts (http://www.caldancearts.com) professional dance studioDancer's Delight students perform Modern Dance located just north of Los Angeles in La Canada CA, has unveiled its Summer 2011 line-up of programs, and is happy to announce the return of the Dancers Delight dance camp. The program is open to all ages, no audition required, starting July 25th to August 5th and running a second session from August 8th to August 19th.

The Dancers Delight dance workshop features a wide variety of dance styles throughout the program, such as traditional Ballet as well as Hip Hop, Jazz, Tap and more. Dancers will have a chance to develop rhythm, coordination, dramatic skills, performance abilities and basic dance education; they can even participate in the camp’s Choreography Workshop where they can choreograph their very own dances. A few optional field trips include ice skating or live performances.

Erin Holt, Director of California DanceArts, stated: “This program above all others really introduces a young person to the fun of dance. There are so many different avenues that dance can be used to create aesthetic and exhilarating new ideas, and we really hope to introduce the new dancer to them with our Dancers Delight program. Many of the professional dancers training at California DanceArts got their start in our summer dance camp, and we hope to be able to give your child the same opportunity.”

Since 1987, California DanceArts has been dedicated to the purpose of grooming and nurturing the talents of beginning to serious career dance students. Its current location in beautiful La Canada is among several schools and recreational facilities. More information on California DanceArts 2010 summer dance workshops can be seen at www.danceallsummerworkshops.com. The school’s blog can be seen at http://caldancearts.typepad.com. For more information about California DanceArts and the programs offered by the school, call 818-790-7924, or visit the school online at www.caldancearts.com.

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Wednesday, April 13, 2011

CalDanceArts.com: Decisions, Decisions--Choosing A Summer Dance Program

Leaping Dancer

 

Summer is a great time for dancing. And summer dance camps are a great way for dancers of all ages to make the most of their time during the summer.

With so many options for summer programs being offered, does it really matter which program your child will ultimately choose? Yes, it most certainly does.


Ballet Intensive Programs (For Intermediate and Advanced Dancers)

If a young person at an intermediate or advance level is a serious dance student, an intensive summer dance program with a reputable dance school can provide a real boost in their growth and development. Advanced programs are available that have intensive, full-time schedules for 2-6 weeks, which immerse students in many different aspects of dance training, giving the student valuable discipline and new, creative experiences.

California DanceArts has a curriculum that is based in classical & contemporary ballet but also covers specific instruction (at appropriate levels) in different aspects of dance, such as, turns, jumps, Pointe, variations, Pas de deux, modern dance, improvisation, and performance skills.

The program should limit the number of students in the class, so that the dancers can get personal attention from the instructors. They won’t get much individual help or recognition from dance programs that fill up with 30 or 40 students. Providing that the program is designed to give personal attention to the students, a quality faculty can find the source of any trouble areas in a dancer’s technique and performance. Students can then use their valuable summer months to learn how to overcome issues in their dance training while making the most of their assets. Sometimes smaller programs offer more bang for your buck.

Find a program that features renowned guest instructors, as the student can then be exposed to new methods and dance styles from an experienced professional that they may not always get during their normal dance training. Check to see who the instructors are and research their background. Look for teachers with the experience to help the student gain technical improvement and performance artistry.

While most dance or ballet company’s no longer use their summer programs to recruit dancers for positions within their ranks, good experience can be provided by guest choreographers who are setting repertory for the summer project.

An Intensive program is good for a student who wants to focus on moving into the next level in their training, or for a dancer that wants to prepare for a career in dance or enhance their skills in an existing career. Most summer programs hold auditions which is also part of the learning experience. Don’t be intimidated by the audition process and don’t worry if you don’t get into a program. Use the audition process as a learning tool. Finding the right program that will challenge and provide a degree of personal attention is more important than attending one just because you were accepted.

California DanceArts Los International Ballet Intensive stresses these points in and we have put together a comprehensive program that brings real benefit to an intermediate or advanced dancer’s training.


Summer Dance Camps (For Younger Students)

For younger students who just enjoy dancing or are looking for a summer dance experience to help improve their skills, there are dance camps one can find in most major cities.

Instructors who are specialists in working with younger dancers can provide students with new challenges but in a nurturing environment, making sure students understand the concepts and instructions. When children are really learning and grasping the material, the camp is more fun!

Programs can be found that are perfect for the beginner and intermediate dancer of any age--that are enjoyable for both children and older beginners. Even most teenagers can enjoy the variety of dance styles offered within programs like this. By grouping students of similar ability, and creating teams or pairs of students, classes can be exciting and enjoyable for a wide range of ages.

Beginner to intermediate dance camps should offer students daily classes of ballet and also be filled with creative methods for developing coordination, rhythm, dramatic skills, learning choreography, improvisation, performance abilities and more. Jazz dance, hip-hop, tap dancing, folk dancing and many other styles of dance can make these programs an ideal introduction to dancing or means for improving vital and fundamental skills.

California DanceArts’ Dancer’s Delight Dance Camp is a fun and nurturing program for either introducing a child to dance or adding to the training of an already budding ballerina.

 

You can visit us at http://www.caldancearts.com for more information on our full lineup of summer programs or call us at 818-790-7924.

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Friday, April 8, 2011

So, do you show off your “Legs?”

Who can forget Juliet Prowse during the 1970’s L’eggs™ pantyhose commercials? At least once every hour or so, she would fly across our televisions, showing off an amazing pair of endlessly long, unbelievably shapely legs! As I sat stock-still with my eyes riveted on the television screen, I watched her give a quick kick of her high-heeled foot and her stockinged leg, extending well beyond her beautiful red head. She would then casually smile and say, with all sincerity, “As a dancer, my legs are my fortune!”

Wow… those words have stayed with me, even today! I never doubted that those legs really were worth a fortune! With both of my parents sitting beside me (and naturally, as my father sat, completely bug-eyed, I’m sure), I clearly remember that we discussed the practice of insuring the body parts of certain actresses. We were all convinced that Juliet’s legs were undoubtedly insured for a king’s ransom! As a young lady who had a driving ambition to dance, it was my greatest hope that my legs might someday become my fortune too!

Well, Juliet has me beat in both fortune and legs…however, one should never give up hope! The quest to have beautiful legs is one that I think most women share. Most men would surely agree that it’s a sad day when a woman packs away her mini-skirts! By the same token, it’s also a bit scary for any woman over 40 years of age to see that L’eggs™ pantyhose have become a thing of the past! Yep, that’s right…today, all the sexy ladies are showing off their bare naked legs! Of course, it’s not just legs that a woman aught not to neglect…it’s the belly and arms too! After all, the mini-skirt always looked best when paired with a halter top! By the way, ladies, according to her biographies, Juliet Prowse started studying ballet and jazz at the age of four. Her dance training is precisely what kept her looking so great…so great, in fact, that I estimate Juliet was over 40 years old when she made those L’eggs™ commercials. It’s quite possible that she was even older than my mother was at the time, but Mom never looked quite like that (“Ouch…sorry, Mom”).

The fact of the matter is that if you want to look like that, you’ve got to get into a dance class! There are so many forms of dance-craze classes available today, but in all honesty, you’ll have greater, more long-lasting results if you simply enroll in a few good ballet and jazz classes at least a couple nights each week. Ballet, in particular, is really great for shaping the legs and jazz can do wonders for your booty. It goes without saying that work, kids, husband and all of your other obligations are important. However, I find that women are still putting themselves last on the list and in so doing, they are giving up their valuable female “ass-ets”! Frankly, after a full day of teaching dance classes, I feel dog-tired and lazy, so I hear ya, sister! And, after the kids have grown and left the nest (and the mini-skirts have long since been donated to Goodwill), you may find that you simply have no interest in maintaining a good body image. No one likes to confront it at that stage and it just seems easier to let it all go, while making a point of never looking at yourself in a mirror.

Sadly, Juliet Prowse was only 59 years old when she passed away, so the world was robbed of a remarkably beautiful feminine inspiration, but…we are still living! We still have the opportunity to kick up our high heels and to become the Juliet Prowse’s of our generation. Let’s decide together that we won’t give up and that we WILL be sexy in our mini-skirts, even if it’s hard…even if it kills us.

So with all of that said, you absolutely must join me as I return to mini-skirt shape! That’s right…even in my profession, I’ve slacked off a bit and I need to get back to what I call my “hey baby” weight. You can celebrate with me when I’m ready (my qualifier, my loop hole!) and when I dare to wear a mini-skirt again. Heck, let’s get in shape together and we can all wear our mini-skirts for the ultimate girls’ night-out party! (Or not, you can all laugh at me in my mini skirt!) But first, you must decide to leave work just a little early once or twice a week, or leave the kids at home with dad (or bring the kids with you, since they can watch or do homework). Let’s ALL get back to our “hey baby“ weight, thin our thighs, get rid of the chicken arms…we’ve got work to do, so let’s get going!

Join me Tuesday morning 9:15-10:15ish Floor Barre: An amazing ballet class performed while lying on the floor! LOL! Doesn’t that sound easy? Well, it’s not! Floor barre helps you find your core abdominals and what dancers call “center”, while tightening and toning your LEGS, BELLY and HIPS. Beginners, dancers, returning dancers, recovering dancers…it’s all good!

Tuesday evening Ballet Class 6:00-7:00pm: Nothing like a good ballet class to work those LEGS and entire body! Beginners, dancers, returning dancers, recovering dancers… it’s all good!

My friend Malinda teaches Jazz classes on Monday & Friday morning 8:30-10:30am and Wednesday evening 6:00-7:30pm. Great for working that booty and so much more!

You may also enjoy our Boogie Booty Ballet class Thursday morning at 9:00am, taught by Lisa! LOL! It sounds like a riot. Talk about legs and arms…I mean, she looks amazing! This class combines elements of ballet, jazz and workout dance. Trust me…whatever she does in her class, we should do it since it’s obviously what she does to keep in such amazing shape! I haven’t had a chance to take this class yet, but there’s no time like the present, especially if I’ve just committed to wearing a mini-skirt again…OMG! What have I done?


Erin Holt is the director of California DanceArts in La Cañada, California, where she has dedicated her life to dance education through curriculum development, dance instruction, productions and choreography. She is also the choreographer and artistic director of her performing company, California Contemporary Ballet. Together with her ski bum of a husband, she has raised their daughter and is also affectionately considered “mom” by many of her students, both past and present.

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Saturday, March 5, 2011

Discipline –Not a Bad Word

Blog picture Ms. Sarah Spina is a professional ballet dancer with numerous credits to her name that, during her career, performed the demanding role of the Princess in California Contemporary Ballet’s annual Snow Queen Ballet. Now the mother of two beautiful young children, she has created a blog, writing about life with her family and about the joys and responsibilities of raising her daughters. 

 On the subject of discipline, she writes, “Discipline is not a bad word. One of the most important things you can instill in your child is discipline. When most people hear the word discipline, they think ‘punishment.’ That form of discipline is only the 3rd definition in the dictionary. The first definition is, ‘training to act in accordance with rules,’ and the second is, ‘activity, exercise, or a regimen that develops or improves a skill; training.’”

 When enrolling a child in an activity such as dance or music, many parents forget that these “activities” are also considered “disciplines of the arts”. While dance, drama, music and painting should be fun, there should also be an expectation that the student will eventually make improvements in his or her skills and abilities.  In ballet, for instance, there are specific exercises that dance students typically perform at the start of class, and class ends with yet a different set of exercises followed by an articulated “thank you” to the teacher. In addition, there are rules for dress and hair style, the proper stance at the ballet barre and while standing in a line with other students and there are other general but well-established rules of good behavior.  Likewise, there are specific methods and techniques for holding a paint brush when executing a piece of artwork, or a musical instrument when attempting to achieve a clear sound.   

 Good habits are developed by going through the structured routine of each class where students progress from level to increasingly difficult level.  In the field of dance, for example, a dancer learns that by diligently and repeatedly executing a particular series of exercises, he or she soon develops the skill necessary to perform more technically demanding moves. They also discover that there are techniques for jumping high into the air, turning gracefully, and holding positions that require physical agility and strength.  These students soon discover that by maintaining a disciplined approach to their chosen field of study and by practicing the methods and techniques of the art with dedication, improvements will naturally follow.

 As a professional dancer, Ms. Spina knows how important discipline is in the field of the arts. She herself has been trained to understand that the rules matter. She has carried her dance discipline beyond the dance studio to create a successful life. She now builds discipline into the daily structure of her family.

 “The word discipline is a positive one in our house. The girls are not scared of it. They don’t associate it with punishment. Discipline to them is following a routine, getting their work done, practicing their ‘disciplines,’ such as dance, cheer, reading, math, etc.  Practice is a discipline. By teaching them at a young age that hard work is in fact good for them, that they will be smarter, or better at something with a little discipline each day, I am setting them up for success in every area of their lives.”

 Creating discipline in life is a matter of developing good habits.  If you simply establish specific times for waking up, doing homework, developing manners at the dinner table, while also initiating rituals such as the recitation of prayers before bed or preparing and getting organized for the next day, one can easily see that a well-organized, thoughtful daily regimen will go a long way in creating and developing good life skills.

 Disciplines of the arts are really the building blocks of life. Art allows its participants to build self-esteem, self-discipline and goal-oriented behavior which is important for every aspect of life.

 In an address to the Council of Elementary Principals meeting in Boston, MA, Public Schools Chairman Eric Oddleifson made a passionate plea for the arts in education saying, “Children with training in the arts do much better in school than other kids, in many different ways.”

 Mr. Oddleifson announced that per the College Entrance Examination Board, students who studied arts and music scored significantly higher than the national average on the Scholastic Aptitude Test. Students who had participated in acting/play production, music performance and appreciation, dance, drama appreciation, and art history, scored an average of 31 to 50 points higher for the math and verbal sections. The Board also stated that students with long-term arts study (four years or more) tend to score significantly higher on the SAT than those with less coursework in the arts. 

 Mr. Oddleifson says, “Additionally, not only do children learn the 3 R's better and faster, but they behave differently. I have been curious to find out why, because training in the arts is seen to be extra-curricular, not related to the serious business of educating our kids, and suitable only for those with talent. Our research indicates that many benefits are derived from study in the arts. The arts develop constructive habits of discipline, and mind.”

Mr. Oddleifson suggests "If we are ever to see the day when high standards in all academic subjects, including the arts, are not only met but exceeded by most, if not all, of our children, the way-and indeed perhaps the only way-to get there is through the arts. The adoption of this suggestion will require a radical shift-a contextual change-not only in how we view children, and our teaching relationship with them, but also in how we learn, and even how we view the arts themselves. Viewing the arts not as finished product but as a search for high quality which is available to all, regardless of talent; by recongnizing that the arts provide necessary 'tools' for thinking which are unavailable elsewhere; and in understanding that a quality education requires bringing heart and hand into balance with head, we quickly conclude that high educational standards simply cannot be met by most of our children without the arts."

 As public schools continue to cut funding for the arts, thereby providing little or no serious arts education, there are a limited number of private organizations—music, dance and art schools—that work tirelessly to fill the void created by public education.  However, even these private enterprises may be suffering economically and as a result; the focus of some of the programs offered by these establishments has shifted.  Rather than being concerned with the idea of offering instruction in a disciplined art form, they are more inclined to promote programs that can provide recreational and social benefits to children. 

 Parents with a serious commitment to arts education should look for programs run by instructors who offer quality professional experience and who are prepared to instruct their students in the discipline of their chosen art.  Does the arts program enforce a dress code?  Are students allowed to talk or chew gum during class?  Has the school’s Directors instituted a structured curriculum that is followed by instructors in each class? These are some things for which one should look.

 While enrolled in a well-established, highly regarded school of art, children learn to understand how important it is to work diligently toward every goal they establish. Study in a good arts program develops a solid foundation, enabling the student to cope with the pressures that he or she faces throughout childhood, thereby imparting the skills necessary to make the successful transition to adulthood.

 Parents like Ms. Spina are wise to provide their children with exposure to the disciplines of the arts while also reinforcing the value of discipline at home.  Sarah states, “When my girls get older and school gets much harder, and dance (or whatever other discipline they choose to pursue) isn’t so fun anymore because ‘it’s so hard,’ or ‘it hurts,’ they will hopefully be disciplined enough to weather the storm and come out on the other side without quitting. Discipline is setting a goal and reaching it, not giving up when something gets hard, learning the feeling of success and continuing to practice to get better, because while you can never be perfect, you can always get closer to it.”

 From the Bible, Proverbs 22:6 says, “Train up a child in the way he should go: and when he is old, he will not depart from it.” The discipline and training you instill in your child now will determine the type of adult they will become.

by Erin Holt 

Erin Holt is the Artistic Director of California DanceArts, a career preparatory school which boasts over two hundred students.  Her choreography is featured through the works of her company, California Contemporary Ballet.

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Monday, February 28, 2011

The Dance Nomad

0511-0902-0804-0307_Ballet_Dancer_Practicing_on_the_Barre_clipart_image Don’t be a Dance Nomad! Once you have found a school that provides a home for your dance ambitions and endeavors, it is essential to commit to the program and schedule of classes that are offered.  Improvements are made by a commitment to continuous training on a weekly and even daily basis within a structured environment and method.

While “branching out” or “bouncing” from one school to another and visiting a variety of teachers can be exciting, ones inability to commit to a schools program can lead to a decrease in dance development. In other words, a dancer is attaining too many different teaching styles, atmospheres or techniques to be able to make notable development or continuous improvements. Too many different teaching styles prove to be significantly disruptive to one’s training.

A good dance school usually provides a syllabus that should work in a coordinated base for most of the classes and programs offered, providing a united training experience. The teaching faculty comes to know and understand each student’s strengths and weaknesses while gaining a clear understanding as to how to help each student achieve their goals. Don’t let a change of teacher disrupt your training within the program. Most good schools are able to quickly provide another good teacher (perhaps even another member of the faculty) who is familiar with the method that you are training and who can deliver your classes with the same level of care you have come to know. If the director of the school is also a qualified, experienced teacher he/she can pass along intimate knowledge regarding each student’s training experience, difficulties and assets so that you do not lose any momentum.

There are few instructors that float from studio to studio working in one location for short periods of time before moving to the next location. While following a single teacher from one location to the next may seem like the “loyal” thing to do, it may not always be the best choice for furthering your training and accomplishing your goals.  Most teachers enjoy working in a coordinated effort as part of a team of quality instructors within a good school. Experienced teachers know that it takes such a team as well as dedication to a method or syllabus to produce good dancers. 

Changing to a new dance school requires an investment of time to adjust to the new surroundings and new methods. New faculties require time to discover how to help the student best. During this adjustment period, the student may lack significant advancements. When new students come to California DanceArts from other schools we always inquire. We want to be sure that the student has given the matter significant consideration and that they understand the drawbacks to undertaking such a change. Be wary of the uncaring approach to training that does not ensure students have considered these issues and options carefully.

Choosing the right dance school is not always easy.  Look for a school that will provide a lot of individual attention. A good school will offer a good curriculum of ballet as a base which is supplemented with quality programs of varied styles and is delivered by a faculty of highly skilled instructors. Choose a school that offers facilities with good floors to protect your joints and bones. You may want to consider if the school customer services. Consider if the school offers quality performance opportunities. Does the school have a dance company or performing troupe available to students and will it offers enough challenge as students advance? You might be wise to take the time to view a performance and looks at the school’s “products” before making any decisions. Viewing the quality of a school’s students in performance is a good way to determine if the school’s offerings are sufficient for your needs and expectations.

To make your search a bit easier, y
ou may want to see our report regarding “SIX THINGS TO CONSIDER BEFORE CHOOSING A DANCE SCHOOL” http://www.caldancearts.com/pages/213/inside_cda.html

By Erin Holt, artistic director of California DanceArts and Liana Khachatryan

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Tuesday, December 14, 2010

Severe Weather Forecast!

WEATHER WARNING!

A heavy snow storm is expected to hit Glendale, California THIS WEEKEND.  The wrath of the Snow Queen (Alyssa Thompson) is great and mighty, and the weather center announced today that we may be in for one of the longest-running storms in history, lasting many years!  Unconfirmed reports indicate that the Snow Queen is under the alluring spell of a mystical and magical mirror that was created by an Evil Sorceress (Kelsey Glidewell).  The storm will begin with tiny delicate snowflakes, gathering momentum before the flooding begins to overtake the River (performed by CCYB).  We predict that the floods will be very strong and we advise the Enchantress (Amanda Hart) to protect her garden and to take extra care of the delicate Rose (Julie Sanches).  Flights are restricted to the north and any aircraft and particularly birds, such as The Crow (Armando Yearwood) and his Sweetheart (Isabella Bunting), are advised to remain grounded until show time. To the northeast, below-zero temperatures may cause widespread mischief and any Gypsy Man or Gypsy Woman (Emma Mesrobian) should take cover.  There is also much concern about forest creatures, particularly the smaller delicate animals.  However, many of the ferocious Wolves, Panthers and Bears are well-clothed, and they should prove strong enough to adapt to such conditions. While travel advisories are in place, animals such as our Reindeer (Andy Lawson and Isabella Bunting) certainly will not be affected by the cold and experts agree that such animals provide good protection and ideal companionship if forced to travel during the storm.  There is much discussion in the village regarding reports of a sighted Guardian Angel (Kayla Stepanian).  Fearing the storm, many are praying that the Guradian Angel will find a way to protect the entire village and deliver us all from the storm as soon as possible.

While taking steps to secure the castle, the Prince (Nick Zerman) and Princess (Laura Mauldin) are rumored to be optimistic that the storm will avoid the area... since the sun always shines at the castle.  The royal couple has already sent invitations to all of their constituents throughout the countryside to take cover at the castle, just in case any townsfolk need a safe haven. Invitations delivered personally by the Coachman (James Keen) include a celebration, once the storm breaks. 

During the storm, Randy Tobin's newly enhanced musical composition will provide dramatic thunder bolts, while we hope Erin Holt's choreography will deliver enough magic and love between our new sweethearts, Gerda (Kelsey Glidewell) and  Kai (Rob Westin) , enabling them to brave through and eventually defeat the storm. We all know that the power of love is very strong and can defeat anything.

Don't miss The Snow Queen 2010
Presented by California Contemporary Ballet

One Weekend Only
Fri. December 17th at 7:30pm
Sat. December 18th at 2:00pm
Sat. December 18th at 7:30pm
Sun. December 19th at 2:00pm

 Location:
Glendale Community College
Performing Arts Theater
1500 N. Verdugo Rd.
Glendale CA. 91208

Information: http://www.snowqueenballet.com

Tickets Now
http://www.caldancearts.com/pages/3120/Snow_Queen_Event.htm
http://www.brownpapertickets.com/event/132982

8I1E6174 
 

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Tuesday, December 7, 2010

California Contemporary Ballet Presents 13th Annual Production Of “The Snow Queen”

Los Angeles Ballet Features Fantasy-Filled Choreography With Newly Enhanced Magical, Musical ScoreSnow Queen Ballet image - Wolves

Los Angeles, CA: For three days at the Glendale Community College Performing Arts Theater, December 17-19, 2010, hundreds of ballet and holiday entertainment seekers are transported to Hans Christian Andersen’s fantasy world where good prevails, personified by a little girl named Gerda who saves her friend Kai from an evil spell. Evil is set right when the spell is ultimately reversed by the Snow Queen.

This year’s The Snow Queen (http://www.snowqueenballet.com) marks the 13th annual presentation of this great wintertime fairy tale, presented by the professional, non-profit company, California Contemporary Ballet (http://www.ctyballet.org). Brought to life by the creative vision of the company's artistic director and choreographer, Erin Holt, The Snow Queen ballet is presented complete with brilliant lighting and set design, custom handmade costumes, and an original, moving musical score by Randall Michael Tobin. The professional principal cast is accompanied by the California Contemporary Youth Ballet. The youth company will appear in supporting roles as forest creatures performing aerial feats, a choreographed raging river, living trees, gypsies, and a garden of flowers.

For Ms. Holt, the 2010 production of The Snow Queen is an evolutionary milestone, marked by changes within the company over the last thirteen years. Beginning primarily as a youth organization, today the company is one of Southern California’s burgeoning professional dance companies featuring the talent of career dancers and Holt’s unique brand of classical ballet and contemporary dance. Says Holt, “We are constantly working to enhance the show and create a new experience for our audience each year. This contributes to our longevity.”

The company has literally grown up,” Holt says as she observes Kelsey Glidewell of La Canada perform a series of steps and turns. Ms. Glidewell began her tenure with The Snow Queen ballet as a member of the companies youth division. This year, Ms. Glidewell has advanced, by working within the professional division of the company, and will be debuting in the shows starring role as Gerda. A senior at La Canada high school, Ms. Glidewell is currently auditioning and has already been accepted to several University dance programs. For Glidewell, who always dreamed of dancing the role, this season potentially marks her farewell to the show. “I have grown up with the show. I am always challenged by the choreography”. This year is her most challenging. “Gerda is on stage through the entire ballet and I am dancing with a new partner.” Her partner, Rob Westin of North Hollywood will perform the role of Kai.

The Snow Queen Ballet will be performed Friday through Sunday, December 17-19, 2010, at the Glendale Community College Performing Arts Theater, 1500 N. Verdugo Rd., Glendale CA. 91208. Show times are 7:30 p.m. on December 17 and 18 and matinee performances at 2:00 p.m. on Saturday, December 18 and Sunday, December 19. Advance tickets are $25 for adults and $20 for students and $30 for adults and $25 for students at the door. For tickets or information, call Brown Paper Tickets at 800-938-3006 or visit online www.ccballet.net or www.snowqueenballet.com.

California Contemporary Ballet is established as a professional company featuring the talent of 5-7 career dancers performing a unique brand of classical and contemporary dance works. They are a non-profit company, providing its members with the opportunity to perform an exciting repertory of innovative and original dance projects performed in concerts, theatre and festivals throughout Southern California. California Contemporary Ballet is the resident troupe of the California DanceArts Academy located in the foothills of Los Angeles. The school and company share one goal, "to nurture and encourage students professionally and to develop artists performing for audiences with the creativity, imagination and joy of dance. "The company’s annual signature ballet titled, “The Snow Queen”, is a delightful winter production each December starring the career members of California Contemporary Ballet, accompanied by the California Contemporary Youth Ballet, and select dancers from the community, resulting in a cast of 60-70 dancers.

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