Saturday, March 5, 2011

Discipline –Not a Bad Word

Blog picture Ms. Sarah Spina is a professional ballet dancer with numerous credits to her name that, during her career, performed the demanding role of the Princess in California Contemporary Ballet’s annual Snow Queen Ballet. Now the mother of two beautiful young children, she has created a blog, writing about life with her family and about the joys and responsibilities of raising her daughters. 

 On the subject of discipline, she writes, “Discipline is not a bad word. One of the most important things you can instill in your child is discipline. When most people hear the word discipline, they think ‘punishment.’ That form of discipline is only the 3rd definition in the dictionary. The first definition is, ‘training to act in accordance with rules,’ and the second is, ‘activity, exercise, or a regimen that develops or improves a skill; training.’”

 When enrolling a child in an activity such as dance or music, many parents forget that these “activities” are also considered “disciplines of the arts”. While dance, drama, music and painting should be fun, there should also be an expectation that the student will eventually make improvements in his or her skills and abilities.  In ballet, for instance, there are specific exercises that dance students typically perform at the start of class, and class ends with yet a different set of exercises followed by an articulated “thank you” to the teacher. In addition, there are rules for dress and hair style, the proper stance at the ballet barre and while standing in a line with other students and there are other general but well-established rules of good behavior.  Likewise, there are specific methods and techniques for holding a paint brush when executing a piece of artwork, or a musical instrument when attempting to achieve a clear sound.   

 Good habits are developed by going through the structured routine of each class where students progress from level to increasingly difficult level.  In the field of dance, for example, a dancer learns that by diligently and repeatedly executing a particular series of exercises, he or she soon develops the skill necessary to perform more technically demanding moves. They also discover that there are techniques for jumping high into the air, turning gracefully, and holding positions that require physical agility and strength.  These students soon discover that by maintaining a disciplined approach to their chosen field of study and by practicing the methods and techniques of the art with dedication, improvements will naturally follow.

 As a professional dancer, Ms. Spina knows how important discipline is in the field of the arts. She herself has been trained to understand that the rules matter. She has carried her dance discipline beyond the dance studio to create a successful life. She now builds discipline into the daily structure of her family.

 “The word discipline is a positive one in our house. The girls are not scared of it. They don’t associate it with punishment. Discipline to them is following a routine, getting their work done, practicing their ‘disciplines,’ such as dance, cheer, reading, math, etc.  Practice is a discipline. By teaching them at a young age that hard work is in fact good for them, that they will be smarter, or better at something with a little discipline each day, I am setting them up for success in every area of their lives.”

 Creating discipline in life is a matter of developing good habits.  If you simply establish specific times for waking up, doing homework, developing manners at the dinner table, while also initiating rituals such as the recitation of prayers before bed or preparing and getting organized for the next day, one can easily see that a well-organized, thoughtful daily regimen will go a long way in creating and developing good life skills.

 Disciplines of the arts are really the building blocks of life. Art allows its participants to build self-esteem, self-discipline and goal-oriented behavior which is important for every aspect of life.

 In an address to the Council of Elementary Principals meeting in Boston, MA, Public Schools Chairman Eric Oddleifson made a passionate plea for the arts in education saying, “Children with training in the arts do much better in school than other kids, in many different ways.”

 Mr. Oddleifson announced that per the College Entrance Examination Board, students who studied arts and music scored significantly higher than the national average on the Scholastic Aptitude Test. Students who had participated in acting/play production, music performance and appreciation, dance, drama appreciation, and art history, scored an average of 31 to 50 points higher for the math and verbal sections. The Board also stated that students with long-term arts study (four years or more) tend to score significantly higher on the SAT than those with less coursework in the arts. 

 Mr. Oddleifson says, “Additionally, not only do children learn the 3 R's better and faster, but they behave differently. I have been curious to find out why, because training in the arts is seen to be extra-curricular, not related to the serious business of educating our kids, and suitable only for those with talent. Our research indicates that many benefits are derived from study in the arts. The arts develop constructive habits of discipline, and mind.”

Mr. Oddleifson suggests "If we are ever to see the day when high standards in all academic subjects, including the arts, are not only met but exceeded by most, if not all, of our children, the way-and indeed perhaps the only way-to get there is through the arts. The adoption of this suggestion will require a radical shift-a contextual change-not only in how we view children, and our teaching relationship with them, but also in how we learn, and even how we view the arts themselves. Viewing the arts not as finished product but as a search for high quality which is available to all, regardless of talent; by recongnizing that the arts provide necessary 'tools' for thinking which are unavailable elsewhere; and in understanding that a quality education requires bringing heart and hand into balance with head, we quickly conclude that high educational standards simply cannot be met by most of our children without the arts."

 As public schools continue to cut funding for the arts, thereby providing little or no serious arts education, there are a limited number of private organizations—music, dance and art schools—that work tirelessly to fill the void created by public education.  However, even these private enterprises may be suffering economically and as a result; the focus of some of the programs offered by these establishments has shifted.  Rather than being concerned with the idea of offering instruction in a disciplined art form, they are more inclined to promote programs that can provide recreational and social benefits to children. 

 Parents with a serious commitment to arts education should look for programs run by instructors who offer quality professional experience and who are prepared to instruct their students in the discipline of their chosen art.  Does the arts program enforce a dress code?  Are students allowed to talk or chew gum during class?  Has the school’s Directors instituted a structured curriculum that is followed by instructors in each class? These are some things for which one should look.

 While enrolled in a well-established, highly regarded school of art, children learn to understand how important it is to work diligently toward every goal they establish. Study in a good arts program develops a solid foundation, enabling the student to cope with the pressures that he or she faces throughout childhood, thereby imparting the skills necessary to make the successful transition to adulthood.

 Parents like Ms. Spina are wise to provide their children with exposure to the disciplines of the arts while also reinforcing the value of discipline at home.  Sarah states, “When my girls get older and school gets much harder, and dance (or whatever other discipline they choose to pursue) isn’t so fun anymore because ‘it’s so hard,’ or ‘it hurts,’ they will hopefully be disciplined enough to weather the storm and come out on the other side without quitting. Discipline is setting a goal and reaching it, not giving up when something gets hard, learning the feeling of success and continuing to practice to get better, because while you can never be perfect, you can always get closer to it.”

 From the Bible, Proverbs 22:6 says, “Train up a child in the way he should go: and when he is old, he will not depart from it.” The discipline and training you instill in your child now will determine the type of adult they will become.

by Erin Holt 

Erin Holt is the Artistic Director of California DanceArts, a career preparatory school which boasts over two hundred students.  Her choreography is featured through the works of her company, California Contemporary Ballet.

Posted via email from California DanceArts's Posterous Blog

Monday, February 28, 2011

The Dance Nomad

0511-0902-0804-0307_Ballet_Dancer_Practicing_on_the_Barre_clipart_image Don’t be a Dance Nomad! Once you have found a school that provides a home for your dance ambitions and endeavors, it is essential to commit to the program and schedule of classes that are offered.  Improvements are made by a commitment to continuous training on a weekly and even daily basis within a structured environment and method.

While “branching out” or “bouncing” from one school to another and visiting a variety of teachers can be exciting, ones inability to commit to a schools program can lead to a decrease in dance development. In other words, a dancer is attaining too many different teaching styles, atmospheres or techniques to be able to make notable development or continuous improvements. Too many different teaching styles prove to be significantly disruptive to one’s training.

A good dance school usually provides a syllabus that should work in a coordinated base for most of the classes and programs offered, providing a united training experience. The teaching faculty comes to know and understand each student’s strengths and weaknesses while gaining a clear understanding as to how to help each student achieve their goals. Don’t let a change of teacher disrupt your training within the program. Most good schools are able to quickly provide another good teacher (perhaps even another member of the faculty) who is familiar with the method that you are training and who can deliver your classes with the same level of care you have come to know. If the director of the school is also a qualified, experienced teacher he/she can pass along intimate knowledge regarding each student’s training experience, difficulties and assets so that you do not lose any momentum.

There are few instructors that float from studio to studio working in one location for short periods of time before moving to the next location. While following a single teacher from one location to the next may seem like the “loyal” thing to do, it may not always be the best choice for furthering your training and accomplishing your goals.  Most teachers enjoy working in a coordinated effort as part of a team of quality instructors within a good school. Experienced teachers know that it takes such a team as well as dedication to a method or syllabus to produce good dancers. 

Changing to a new dance school requires an investment of time to adjust to the new surroundings and new methods. New faculties require time to discover how to help the student best. During this adjustment period, the student may lack significant advancements. When new students come to California DanceArts from other schools we always inquire. We want to be sure that the student has given the matter significant consideration and that they understand the drawbacks to undertaking such a change. Be wary of the uncaring approach to training that does not ensure students have considered these issues and options carefully.

Choosing the right dance school is not always easy.  Look for a school that will provide a lot of individual attention. A good school will offer a good curriculum of ballet as a base which is supplemented with quality programs of varied styles and is delivered by a faculty of highly skilled instructors. Choose a school that offers facilities with good floors to protect your joints and bones. You may want to consider if the school customer services. Consider if the school offers quality performance opportunities. Does the school have a dance company or performing troupe available to students and will it offers enough challenge as students advance? You might be wise to take the time to view a performance and looks at the school’s “products” before making any decisions. Viewing the quality of a school’s students in performance is a good way to determine if the school’s offerings are sufficient for your needs and expectations.

To make your search a bit easier, y
ou may want to see our report regarding “SIX THINGS TO CONSIDER BEFORE CHOOSING A DANCE SCHOOL” http://www.caldancearts.com/pages/213/inside_cda.html

By Erin Holt, artistic director of California DanceArts and Liana Khachatryan

Posted via email from California DanceArts's Posterous Blog

Tuesday, December 14, 2010

Severe Weather Forecast!

WEATHER WARNING!

A heavy snow storm is expected to hit Glendale, California THIS WEEKEND.  The wrath of the Snow Queen (Alyssa Thompson) is great and mighty, and the weather center announced today that we may be in for one of the longest-running storms in history, lasting many years!  Unconfirmed reports indicate that the Snow Queen is under the alluring spell of a mystical and magical mirror that was created by an Evil Sorceress (Kelsey Glidewell).  The storm will begin with tiny delicate snowflakes, gathering momentum before the flooding begins to overtake the River (performed by CCYB).  We predict that the floods will be very strong and we advise the Enchantress (Amanda Hart) to protect her garden and to take extra care of the delicate Rose (Julie Sanches).  Flights are restricted to the north and any aircraft and particularly birds, such as The Crow (Armando Yearwood) and his Sweetheart (Isabella Bunting), are advised to remain grounded until show time. To the northeast, below-zero temperatures may cause widespread mischief and any Gypsy Man or Gypsy Woman (Emma Mesrobian) should take cover.  There is also much concern about forest creatures, particularly the smaller delicate animals.  However, many of the ferocious Wolves, Panthers and Bears are well-clothed, and they should prove strong enough to adapt to such conditions. While travel advisories are in place, animals such as our Reindeer (Andy Lawson and Isabella Bunting) certainly will not be affected by the cold and experts agree that such animals provide good protection and ideal companionship if forced to travel during the storm.  There is much discussion in the village regarding reports of a sighted Guardian Angel (Kayla Stepanian).  Fearing the storm, many are praying that the Guradian Angel will find a way to protect the entire village and deliver us all from the storm as soon as possible.

While taking steps to secure the castle, the Prince (Nick Zerman) and Princess (Laura Mauldin) are rumored to be optimistic that the storm will avoid the area... since the sun always shines at the castle.  The royal couple has already sent invitations to all of their constituents throughout the countryside to take cover at the castle, just in case any townsfolk need a safe haven. Invitations delivered personally by the Coachman (James Keen) include a celebration, once the storm breaks. 

During the storm, Randy Tobin's newly enhanced musical composition will provide dramatic thunder bolts, while we hope Erin Holt's choreography will deliver enough magic and love between our new sweethearts, Gerda (Kelsey Glidewell) and  Kai (Rob Westin) , enabling them to brave through and eventually defeat the storm. We all know that the power of love is very strong and can defeat anything.

Don't miss The Snow Queen 2010
Presented by California Contemporary Ballet

One Weekend Only
Fri. December 17th at 7:30pm
Sat. December 18th at 2:00pm
Sat. December 18th at 7:30pm
Sun. December 19th at 2:00pm

 Location:
Glendale Community College
Performing Arts Theater
1500 N. Verdugo Rd.
Glendale CA. 91208

Information: http://www.snowqueenballet.com

Tickets Now
http://www.caldancearts.com/pages/3120/Snow_Queen_Event.htm
http://www.brownpapertickets.com/event/132982

8I1E6174 
 

Posted via email from California DanceArts's Posterous Blog

Tuesday, December 7, 2010

California Contemporary Ballet Presents 13th Annual Production Of “The Snow Queen”

Los Angeles Ballet Features Fantasy-Filled Choreography With Newly Enhanced Magical, Musical ScoreSnow Queen Ballet image - Wolves

Los Angeles, CA: For three days at the Glendale Community College Performing Arts Theater, December 17-19, 2010, hundreds of ballet and holiday entertainment seekers are transported to Hans Christian Andersen’s fantasy world where good prevails, personified by a little girl named Gerda who saves her friend Kai from an evil spell. Evil is set right when the spell is ultimately reversed by the Snow Queen.

This year’s The Snow Queen (http://www.snowqueenballet.com) marks the 13th annual presentation of this great wintertime fairy tale, presented by the professional, non-profit company, California Contemporary Ballet (http://www.ctyballet.org). Brought to life by the creative vision of the company's artistic director and choreographer, Erin Holt, The Snow Queen ballet is presented complete with brilliant lighting and set design, custom handmade costumes, and an original, moving musical score by Randall Michael Tobin. The professional principal cast is accompanied by the California Contemporary Youth Ballet. The youth company will appear in supporting roles as forest creatures performing aerial feats, a choreographed raging river, living trees, gypsies, and a garden of flowers.

For Ms. Holt, the 2010 production of The Snow Queen is an evolutionary milestone, marked by changes within the company over the last thirteen years. Beginning primarily as a youth organization, today the company is one of Southern California’s burgeoning professional dance companies featuring the talent of career dancers and Holt’s unique brand of classical ballet and contemporary dance. Says Holt, “We are constantly working to enhance the show and create a new experience for our audience each year. This contributes to our longevity.”

The company has literally grown up,” Holt says as she observes Kelsey Glidewell of La Canada perform a series of steps and turns. Ms. Glidewell began her tenure with The Snow Queen ballet as a member of the companies youth division. This year, Ms. Glidewell has advanced, by working within the professional division of the company, and will be debuting in the shows starring role as Gerda. A senior at La Canada high school, Ms. Glidewell is currently auditioning and has already been accepted to several University dance programs. For Glidewell, who always dreamed of dancing the role, this season potentially marks her farewell to the show. “I have grown up with the show. I am always challenged by the choreography”. This year is her most challenging. “Gerda is on stage through the entire ballet and I am dancing with a new partner.” Her partner, Rob Westin of North Hollywood will perform the role of Kai.

The Snow Queen Ballet will be performed Friday through Sunday, December 17-19, 2010, at the Glendale Community College Performing Arts Theater, 1500 N. Verdugo Rd., Glendale CA. 91208. Show times are 7:30 p.m. on December 17 and 18 and matinee performances at 2:00 p.m. on Saturday, December 18 and Sunday, December 19. Advance tickets are $25 for adults and $20 for students and $30 for adults and $25 for students at the door. For tickets or information, call Brown Paper Tickets at 800-938-3006 or visit online www.ccballet.net or www.snowqueenballet.com.

California Contemporary Ballet is established as a professional company featuring the talent of 5-7 career dancers performing a unique brand of classical and contemporary dance works. They are a non-profit company, providing its members with the opportunity to perform an exciting repertory of innovative and original dance projects performed in concerts, theatre and festivals throughout Southern California. California Contemporary Ballet is the resident troupe of the California DanceArts Academy located in the foothills of Los Angeles. The school and company share one goal, "to nurture and encourage students professionally and to develop artists performing for audiences with the creativity, imagination and joy of dance. "The company’s annual signature ballet titled, “The Snow Queen”, is a delightful winter production each December starring the career members of California Contemporary Ballet, accompanied by the California Contemporary Youth Ballet, and select dancers from the community, resulting in a cast of 60-70 dancers.

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Friday, November 19, 2010

The Snow Queen in the Los Angeles Times

 
If you are not yet convinced that the Snow Queen is the hit production of the holiday season, see what the Los Angeles Times has to say!

 

851d346c912659aace709e260fdd3a47 Culture Monster
ALL THE ARTS, ALL THE TIME
'The Snow Queen': It's not 'The Nutcracker'
December 18, 2009 | 9:38 am


Poor Tchaikovsky.
It’s not the great Russian composer’s fault that his miraculous, sparkling and tuneful ballet score dating from 1892 percolates incessantly from shopping mall PA systems to lubricate December spending.
Nor can we blame dear departed Pyotr Ilyich for the myriad “Nutcracker” ballet productions that procreate with alarming fecundity each passing year. This season, The Times counts 21.

Holiday alternatives do exist for the imaginative ballet master. Why not stage ballet versions of “Amahl and the Night Visitors,” “A Christmas Carol” or “Miracle on 34th Street”?

One smart coach, Erin Holt of California Contemporary Ballet, who grew up dancing “The Nutcracker,” decided she had had enough. Holt developed a vehicle that provides all-things-Nutty: an innocuous family outing, exposure to classical ballet for kids and a big-tent approach to casting. Only, it’s not the “Nutcracker.” It’s “The Snow Queen.” And she’s been doing it for 12 years.

Adios Sugar Plum Fairy. Bienvenidos, er … Queeny.

In sticking with an original and proprietary ballet, Holt and her Snow Queen Strategy scores high marks with local area arts funders and consultants.
-- Debra Levine

Snowqueen-ballet sized

Posted via email from California DanceArts's Posterous Blog

The Snow Queen in the Los Angeles Times

If you are not yet convinced that the Snow Queen is the hit production of the holiday season, see what the Los Angeles Times has to say!

 

Culture Monster                                                       851d346c912659aace709e260fdd3a47          
ALL THE ARTS, ALL THE TIME
'The Snow Queen': It's not 'The Nutcracker'
December 18, 2009 | 9:38 am


Poor Tchaikovsky.
It’s not the great Russian composer’s fault that his miraculous, sparkling and tuneful ballet score dating from 1892 percolates incessantly from shopping mall PA systems to lubricate December spending.
Nor can we blame dear departed Pyotr Ilyich for the myriad “Nutcracker” ballet productions that procreate with alarming fecundity each passing year. This season, The Times counts 21.

Holiday alternatives do exist for the imaginative ballet master. Why not stage ballet versions of “Amahl and the Night Visitors,” “A Christmas Carol” or “Miracle on 34th Street”?

One smart coach, Erin Holt of California Contemporary Ballet, who grew up dancing “The Nutcracker,” decided she had had enough. Holt developed a vehicle that provides all-things-Nutty: an innocuous family outing, exposure to classical ballet for kids and a big-tent approach to casting. Only, it’s not the “Nutcracker.” It’s “The Snow Queen.” And she’s been doing it for 12 years.

Adios Sugar Plum Fairy. Bienvenidos, er … Queeny.

In sticking with an original and proprietary ballet, Holt and her Snow Queen Strategy scores high marks with local area arts funders and consultants.
-- Debra Levine
 

Posted via email from California DanceArts's Posterous Blog

Monday, November 1, 2010

The Snow Queen 2010

Once upon a time, there was a wicked magician. He fashioned a mirror with the power to create all that was good and beautiful when it was reflected within, to look mean and wicked. Alas, the unthinkable happened… the mirror was shattered into a million tiny pieces, swept up by the wind, and spread throughout the land; affecting the unsuspecting townsfolk. The Snow Queen, creator of the winter wind and snow, was also profoundly affected, as the tiny slivers of mirror lodged into her very soul. Dark times soon followed…

Welcome to California Contemporary Ballet’s The Snow Queen, a magical ballet and an incredible tale of the now jealous and cold hearted Snow Queen and two dear friends torn apart by her wrath.

Embark on the incredible journey and meet the fascinating characters who bring the classic tale to life. Meet the Enchantress, Gypsy Girl, Gypsy Boy, Crows and enjoy the Prince and Princess as they perform a grand pas de deux. Experience the thrill of perilous obstacles, rejoice in the celebration of a town freed at last from the mirror’s evil spell, and follow the journey to its surprising finale.

Performed by a professional principal cast, the stellar career dancers of California Contemporary Ballet supported and accompanied by the California Contemporary Youth Ballet members who train and perform at the highest caliber. The entire company of dancers performs with remarkable power and passion making a bold statement on stage that transforms you to another world- the world of The Snow Queen.

Brought to life by the creative vision of the company's Artistic Director and choreographer, Erin Holt, the Snow Queen ballet is presented complete with brilliant lighting and set design, custom hand sewn costumes, an original moving musical score by Randall Michael Tobin.

Already a hit with its seasonal performances, California Contemporary Ballet’s tale of goodness vs. evil by Hans Christian Andersen has become a winter-time classic which you will surely fall in love with. The Snow Queen Ballet is redefining its genre; it’s a must see! Allow California Contemporary Ballet to give you a memorable and moving experience as they take you on a journey to the inner realm of the Snow Queen.

Performed at Glendale Community College on December 17,18,and19. Follow the link and be sure to get your tickets on sale now at Brown Paper Tickets or through our store  http://www.ccballet.net/pages/3119/store.html  and visit us at www.SnowQueenBallet.com and at www.ccballet.net . Call us for information at 818-790-7924

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